Transcribed by Emil Ortenmark, *
Standard tuning
Comments: I like these chords, specially when the "harmony" part comes in
by the second verse. There is also some very good solo guitar work here
(although the last G natural against the E major chord in Riff 3 is a little
annoying even with the gradual bend to the A). The high A s that fade in
(both bent and straight) give a slightly eerie feel to the track. And you
got to love Gene s castrato vocals during the jamming outro.
Key:
/ = slide up
= slide down
b = bend (whole step)
b^ = bend (1/2 step)
b^^ = bend (1 1/2 steps)
pb = pre-bend
r = release-bend
t = tap with righthand finger
h = hammer-on
p = pull-off
~ = Vibrato
* = Natural Harmonic
#(#) = Trill
** = Artificial Harmonic
x = Dead notes (no pitch)
P.M. = Palm mute (- -> underneath indicates which notes)
() = Dive war
(/) = Release war
Tp = Tap wplectrum
Rhythm Fig. 1 (acoustic steel-string, let ring when possible)
E||
B|3333|
G|2200|
D|32|
A||
E||
E|23p2|
B|3x33|
G|20|
D|20|
A|32|
E||
Rhythm Fig. 2 (acoustic steel-string, let ring when possible)
E|5555|
B|3333|
G|2200|
D||
A||
E||
E|23p2|
B|333|
G|20|
D|20|
A|32|
E||
Rhythm Fig. 3a (acoustic steel-string, let ring when possible)
E|33|
B|3333|
G|2200|
D|33|
A||
E||
< - - - - - - - - - - - 3x - - - - - - - - - >
E||
B|33|
G|22444|
D|334444444|
A|2222222|
E||
End 1
E|0|
B|0|
G|1|
D|2222|
A|22222222|
E|0000000|
Rhythm Fig. 3b (acoustic steel-string, let ring when possible)
E|5533|
B|3333|
G|2200|
D||
A||
E||
< - - - - - - - - - - 3x - - - - - - - - - >
E|55|
B|33|
G|22444|
D|4444444|
A|2222222|
E||
End 1
E|0|
B|0|
G|1|
D|2222|
A|22222222|
E|0000000|
Rhythm Fig. 3c (slightly overdriven electric)
E||
B||
G||
D|33335555|
A|33335555|
E|11113333|
E||
B||
G||
D|33334444444|
A|33332222222|
E|1111-----------------------------|
End 1
E||
B||
G||
D||
A|22222222|
E|00000000|
Rhythm Fig. 4a (acoustic steel-string)
E|00000000|
B|00000000244|
G|11111111244|
D|22222222244|
A|22222222022|
E|00000000|
Rhythm Fig. 4b (acoustic steel-string)
E|000000|
B|0000002444|
G|1111112444|
D|2222222444|
A|2222220222|
E|000000|
Rhythm Fig. 5 (overdriven electric)
E||
B||
G||
D||
A||
E|0--------------------------------------------|
Riff 1
E|17-------------------------------------------|
B||
G||
D||
A||
E||
Riff 2
E|pb17r17--------------------------------|
B||
G||
D||
A||
E||
E|pb17r1717br17~|
B||
G||
D||
A||
E||
Riff 3
E||
B||
G||
D|7b77b7---------------------------------|
A||
E||
E||
B|-----------------------------------------8|
G|779|
D|------------7979|
A|7h8h9-------------------------------------|
E|7--------------------------------------------|
E|710121415b|
B||
G||
D||
A||
E||
ALWAYS NEAR YOU / NOWHERE TO HIDE
Simmons
[Rhy. Fig 1 w/ Riff 1]
[Rhy. Fig 1 w/ Riff 1] (2x)
I ve just begun since you ve gone, to understand I m the only one
[Rhy. Fig 1]
And if you cross yourself at night
[Rhy. Fig 3a w/ End 1 and Riff 2]
I ll come and see you, don t run and hide
I m always near you, I m always near you, near you
[Rhy. Fig 1 w/ Rhy. Fig 2] (3x)
And if you turn out the light (turn out the light)
Don t think you ll hide behind the night (behind the night)
And if you touch me, I might
[Rhy. Fig 3a w/ End 1, Rhy. Fig 3b w/ End 1, Rhy. Fig 3c w/ End 1 and Riff 3]
Might turn and see you, don t run and hide
I m always near you, I m always near you, near you
[Rhy. Fig 1 w/ Rhy. Fig 2] (3x)
I ve just begun since you ve gone (since you ve been gone)
To understand I m the only one (the only one)
And if you cross yourself at night
[Rhy. Fig 3a w/ Rhy. Fig 3b]
I ll come and see you, don t run and hide
I m always near you, I m always near you
[Rhy. Fig 4a w/ Rhy. Fig 5] (2x)
Near you
[Rhy. Fig 4b w/ Rhy. Fig 5] (21x)
Don t run and hide, you ll be the only one
I said don t try to hide for me and everyone
Don t try to hide, you ll be the only one
I said don t try to hide for me and everyone
Everyone, oh everyone, oh everyone
Everyone, oh everyone, aha, oh everyone
Everyone, oh aha, aha, everyone, oh everyone, aha, oh aha
[Rhy. Fig 5] (2x)
(fade out)
