Texto
Desplazamiento
Transportador
Color de Fondo
Herramientas
Tamaño
Tamaño
Altura
Altura
-------------------------Tabbed by-------------------------
------------------------Cory Dymond------------------------
---------------------September 3, 2002---------------------
Intro
-----------------------------------------------------------
-----------------------------------------------------------
--5---66---88---66-----------------------------------------
--5---66---88---66-----------------------------------------
--3---44---66---44-----------------------------------------
-(3)-(44)-(66)-(44)----------------------------------------
-----------------------------------------------------------
-----------------------------------------------------------
--3---44---66---44---33---44---66---44---------------------
-----------------------------------------------------------
Verse
-----------------------------------------------------------
-----------------------------------------------------------
--55-x-x-x-66-x-x-x-88-x-x-x-66-x-x-x----------------------
--55-x-x-x-66-x-x-x-88-x-x-x-66-x-x-x----------------------
--33-x-x-x-44-x-x-x-66-x-x-x-44-x-x-x----------------------
-(33)x-x-x(44)x-x-x(66)x-x-x(44)x-x-x----------------------
-----------------------------------------------------------
-----------------------------------------------------------
--33-x-x-x-44-x-x-x-66-x-x-x-44-x-x-x----------------------
-----------------------------------------------------------
Breakdown w/o Bass
-----------------------------------------------------------
-----------------------------------------------------------
------5-----5-----6-----6-----8-----8-----6-----6----------
----5-----------6-----------8-----------6------------------
--3-----3~~~--4-----4~~~--6-----6~~~--4-----4~~~-----------
-----------------------------------------------------------
-----------------------------------------------------------
-----------------------------------------------------------
--no-bass--------------------------------------------------
-----------------------------------------------------------
(basically during this part depending on how good you are
or how good you're band is you can do different stuff with
this little section. It's the part where the drum and bass
stop and you just hear that weird little noise thats half
a step off of the main guitar and bass. I play the little
riff up there sometimes but sometimes i play it like this)
---14-14--------15-15--------17-17---------15-15-----------
-12-----12~~~-13-----13~~~-15-----15~~~--13-----13~~~------
-----------------------------------------------------------
-----------------------------------------------------------
-----------------------------------------------------------
-----------------------------------------------------------
really it doesnt matter what you do here so long as you
think it sounds right and goes with the song. Basically,
if I'm out for the alternative/distortion type sound I'll
play that first arpeggiated riff and if I'm looking for a
more Twangcore/* sound I'll use the high pitched
riff and throw in a bend or two. I'm sure you can figure
how you want to play the damn song the way you like it.
Well, that's pretty much it. I just mess around at the end
of the song and play with the Verse riff and what not. Any
ridicule/hatemail can go straight up your ass cause they'd
find a more welcome home in there considering that that's
probably where your head is most of the time. If you've got
any corrections or requests or whatever just send them to
*.
PS Don't get pissed if I don't fulfill your request. I've
much more important things to be doing with my life than
working on a something for someone I don't know who's not
paying me a damn thing. I'll get to it if I feel like it
and I'm not a guitar god so don't ask me to Tab out the
solo from November Rain because I'm a rythym guitarist and
a bad one at that. Sippin' on Gin and Juice. Peace biotch.
HERRAMIENTAS ACORDESWEB:
LETRA DE LA CANCIÓN:
DESCARGAR PDF / IMPRIMIR CANCIÓN
TOP 20: Las más tocadas de Ludacris
Usamos cookies. Leer más