Texto
Desplazamiento
Transportador
Color de Fondo
Herramientas
Tamaño
Tamaño
Altura
Altura
From: * (Michael Hanson)
NOTE: I did not TAB this myself.
Transcribed By: Walter Tien
Capo 4th fret
Intro
||------6--6-----6--4--|--4-----4--------4--|-----6--6-----6--6--|
||------7--7-----7--7--|--7-----7--7-----7--|-----7--7-----7--7--|
||*-----6--6-----6--6--|--6--6--6-----6--6--|-----8--8-----8--8--|
||*--4--4--4-----4--4--|--4-----4--------4--|--4--4--4-----4--4--|
||------------4--------|--------------------|-----------4--------|
||---------------------|--------------------|--------------------|
|-----6--6--6--6--4---||
|-----7--7--7--7--7---||
|-----9--9--9--9--9--*||
|--4--4--4--4--4--4--*||
|---------------------||
|---------------------||
D Bm Bb C
D F# G F#
G D A G E
G F# G A
INTRO
D Bm Bb C
D F# G F#
G D A G E
G F# G A
D A C E/Gb E (ARPEGIATE)
Em F# G A D
C G C G
|--0--0--0-----|
|--0--0--0--2--|
|--0--0--0--2--|
|--2--1--0--2--|
|--2--2--2--0--|
|--0--0--0-----|
INTRO
D Bm Bb C
D F# G F#
G D A G E
G F# G A
D A C E/Gb E
Em F# G A
INTRO
C# D
-- Mike
Date: Thu, 21 Sep 1995 09:48:52 -0400 (EDT)
From: Michael Smith
humbly submitted and with thanks to Michael Hanson who submitted the
tablature. here are the lyrics and the chords for the song 'NANCI' by
chord diagram at end of document, please feel free to make changes
enjoy and please share.
intro: (2x)
F# D#m D
I can't believe you You bend your words
E F# Bb
Like Uri Geller's spoons Not quite safe here
B Bb B
When every judgment Seems to smack of doom
F# C# B G# G#__
Are you OK? I'm just fine
G# Bb B Bb B C# F#
intro (1x)
F# D#m D
A legal precedent Could set us straight
E F# Bb
But no one's brought up suit And I'm assuming
B Bb B
That if they did The point would still be mute
F# C# B G# G#__
Are you joking? I'm just fine
G# Bb B Bb B C# F#
A E ? G#
No I've changed my mind
G# Bb B Bb B C# F# F#
E B
Still we walk without quite seeing things
E B
And I'll admit there's not that much to see
B Bb 1 2
And I will follow through
3 (4)C#
And expect that you will follow suit
intro (1x)
F# D#m D
I can't believe you You bend your words
E F# Bb
Like Uri Geller's spoons Not quite safe here
B Bb
When every judgment Seems to smack of doom
F# C# B G# G#__
Are you OK? I'm just fine
G# Bb B Bb B C# F#
A E ? G#
No I've changed my mind
G# Bb B Bb B C# F# F#
intro: Loretta's fine
Loretta's fine...
___________ ___________ ___________ ___________
intro: | | | | | | | | | | | | | | | | | | | | | | | |
| | | O | O | | | O | | | | | O | O | | | O | O
| | | | O | | | | | O | | | | | O | | | | | O |
| | | | | | | | | | | | | | | O | | | | | | | |
| | | | | | | | | | | | | | | | | | | | | O | |
chords (capo on 4th fret)
F#___________ D#m___________ D___________ E___________ A#___________
| | | | | | | | | | | | | - - - - O | | | | O | | | | | | |
| | | O | O | - - - - O | | | | | | | | | | | | | | | | O O
| | | | O | | | | | O | | | O O O | | | O | | | | | | O | |
| | | | | | | | O O | | | | | | | | | O | | | | | | O | | |
B___________ C#___________ G#___________ G#m___________ ?___________
| | | | | | | | | | | | | | | O | | | | | | | | | | | O | |
| O | | | | | | O O O | | O O | | | | O O | | | | O | | | |
O | | | | O | | | | | | | | | | | | | | | | | | | | O | | |
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
___________ ___________ ___________ ___________
1 | | | | | | 2 | | O | | | 3 | | | | | | 4 | | | | | |
| O O | | | | O | | | | | O | | | | | | O O O |
| | | | | | | | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | | | | | | | |
Michael Smith
*
Date: Tue, 22 Apr 97 18:36:53 -0700
From: ROBERT_ANDERSEN@*
** NOTE **
This version augments the TAB work of Michael Hanson by giving a complete
transcription of the song with the chords and fingerings notated from the
capo (at the 4th fret) as opposed to the nut. The chords are slightly
different from Michael Smith's chord transcription, but the lyric is
exactly the same. My work was done independently, and is humbly submitted
to improve on what is already in existence in this suberb archive. Enjoy!
-------------------------------------------------------------------------
transcribed by Robert Andersen
capo at 4th fret [sounds in the key of F#]:
FIGURE #1 (play twice):
D Daug5 D6 D7
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '
e-----2-2-----2-2-----2-0---2-0---|-----2-2-----2-2-----2-2.....----|
b-----3-3-----3-3-----3-----3-----|-----3-3-----3-3-----3-3.....----|
g-----2-2-----2-2-----3-----3-----|-----4-4-----4-4-----5-5.....----|
D-0---------------0---------------|-0---------------0---------------|
A---------0-----------------------|---------0-----------------------|
E---------------------------------|---------------------------------|
FIGURE #2:
D D/A Gsus4/B Gsus4/D Bb Bb/F C C/G
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '
e-----2-2-----2-2-----2-2-----2-2-|---------------------------------|
b-----3-3-----3-3-----2-2-----2-2-|-----3-3-----3-3-----1-1-----1-1-|
g-----2-2-----2-2-----0-0-----0-0-|-----3-3-----3-3-----0-0-----0-0-|
D-0-----------------------0-------|-----3-3-----3-3-----2-2-----2-2-|
A---------0-------2---------------|-1---------------3---------------|
E---------------------------------|---------1---------------3-------|
I can't believe you you bend your words like Uri Geller's
D D/A F# F#/C# G G/B F# F#/C#
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '
e-----2-2-----2-2-----------------|---------------------------------|
b-----3-3-----3-3-----2-2-----2-2-|-----0-0-----0-0-----2-2-----2-2-|
g-----2-2-----2-2-----3-3-----3-3-|-----0-0-----0-0-----3-3-----3-3-|
D-0-------------------4-4-----4-4-|-----0-0-----0-0-----4-4-----4-4-|
A---------0---------------4-------|---------2---------------4-------|
E-----------------2---------------|-3---------------2---------------|
spoons Not quite safe here when every judgment seems to smack of
G G D Csus2 G/B G E
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '
e---------------------2-2-----3-3-|-----3-3-----3-3-0---------------|
b-----0-0-----0-0-----3-3-----3-3-|-----3-3-----3-3-0---------------|
g-----0-0-----0-0-----2-2-----0-0-|-----0-0-----0-0-1---------------|
D-----0-0-----0-0-0---------------|-----------------2---------------|
A-------------------------3-------|-2---------------2---------------|
E-3-------3-----------------------|---------3-------0---------------|
doom Are you okay? ______________ I'm just fine
E G G/F# A A/E
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '
e-0---------------|----------------------------------|
b-0---------------|------0-0-----0-0-----2-2-----2-2-|
g-1---------------|------0-0-----0-0-----2-2-----2-2-|
D-2---------------|------0-0-----0-0-----2-2-----2-2-| FIGURE #1
A-2---------------|------------------0---------------|
E-0-----------0-2-|--3-------2---------------0-------|
[same beginning as figure #2]
D D/A Gsus4/B Gsus4/D Bb Bb/F C C/G
A legal precedent could set us straight but no one's brought up
D D/A F# F#/C# G F# G
suit And I'm assuming that if they did the point would still be moot
D Csus2 G/B G E E
Are you joking?___________ I'm just fine
G G/F# A A/E [to FIGURE #3]
FIGURE #3
D D/A F# F#/C# C C B7 B7/F#
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '
e-----2-2-----2-2-----------------|---------------------2-2-----2-2-|
b-----3-3-----3-3-----2-2-----2-2-|-----1-1-----1-1-----0-0-----0-0-|
g-----2-2-----2-2-----3-3-----3-3-|-----0-0-----0-0-----2-2-----2-2-|
D-0-------------------4-4-----4-4-|-----2-2-----2-2-----1-1-----1-1-|
A---------0---------------4-------|-3-------3-------2---------------|
E-----------------2---------------|-------------------------2-------|
No I've changed my mind
G G/F# A A/E D Dsus4 D Dsus4
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '
e---------------------------------|-----2-2---3-2-------2-2---3-2---|
b-----0-0-----0-0-----2-2-----2-2-|-----3-3-----3-------3-3-----3---|
g-----0-0-----0-0-----2-2-----2-2-|-----2-2-----2-------2-2-----2---|
D-----0-0-----0-0-----2-2-----2-2-|-0---------------0---------------|
A-----------------0---------------|---------------------------------|
E-3-------2---------------0-------|---------------------------------|
BRIDGE:
C C/G C C/G G G/B G Gmaj7 G6
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '
e---------------------------------|-----------------3-2---0---------|
b-----1-1-----1-1-----1-1-----1-1-|-----0-0-----0-0-0-----0---3-----|
g-----0-0-----0-0-----0-0-----0-0-|-----0-0-----0-0-0-----0-------0-|
D-----2-2-----2-2-----2-2-----2-2-|-----0-0-----0-0-0---------------|
A-3---------------3---------------|---------2-------2---------------|
E---------3---------------3-------|-3---------------3---------------|
And still we walk without quite seeing things
C C/G C C/G G G/B G
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '
e---------------------------------|---------------------------------|
b-----1-1-----1-1-----1-1-----1-1-|-----0-0-----0-0-0-1-3-1---0-----|
g-----0-0-----0-0-----0-0-----0-0-|-----0-0-----0-0-0---------------|
D-----2-2-----2-2-----2-2-----2-2-|-----0-0-----0-0-0---------------|
A-3---------------3---------------|---------2-------2---------------|
E---------3---------------3-------|-3---------------3---------------|
And I'll admit there's not that much to see And
Em Em(maj7) Em7 A A/E
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '
e-0---------------0---------------|-0-------------------------------|
b-0---------------0---------------|-0-------------------2-2-----2-2-|
g-0---------------0---------------|-0-------------------2-2-----2-2-|
D-2---------------1---------------|-0-------------------2-2-----2-2-|
A-2---------------2---------------|-2---------------0---------------|
E-0---------------0---------------|-0-----------------------0-------|
I will follow through and expect that you would follow
FIGURE #1 (one time)
...suit
repeat FIGURE #2, except with FIGURE #3 ending:
I can't believe you, you bend your words like Uri Geller's spoons
Not quite safe here, when every judgment seems to smack of doom
Are you okay?______ I'm just fine
[these two bars twice]:
D Daug5 D6 D7
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '
e-----2-2-----2-2-----2-0---2-0---|-----2-2-----2-2-----2-2---2-3---|
b-----3-3-----3-3-----3-----3-----|-----3-3-----3-3-----3-3---3-3---|
g-----2-2-----2-2-----3-----3-----|-----4-4-----4-4-----5-5---5-5---|
D-0---------------0---------------|-0---------------0---------------|
A---------0-----------------------|---------0-----------------------|
E---------------------------------|---------------------------------|
fine Loretta's fine Loretta's
D Db D
^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' '
e-2-------1-------2...........----|
b-3-------2-------3...........----|
g-2-------1-------2...........----|
D-0-------0-------0...........----|
A---------------------------------|
E---------------------------------|
fine
following the tempo (which I have done my best to designate). I would
listen to the CD (which I would highly recommend if you don't already have
it). This will help with the vocal line as it changes from chromatic keys
like G to F# and back -- really, this is what makes the song sound so cool.
Have fun! I welcome any comments or corrections:
*
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